... quotation from Plato's Alcibiades , p . 133B . And if the soul is to know itself it must look into a soul : the stranger and the enemy , we've seen him in the mirror . 44. My Brother GS , 190 , 269 . 45. Edmund Keeley , " T. S. Eliot ...
The invisible man is the unnamed narrator of this impassioned novel of black lives in 1940s America. Embittered by a country which treats him as a non-being he retreats to an underground cell.
teresting . Skipwith Cannell , T. S. Eliot , Helen Hoyt , Orrick Johns and ... Infinity'- However , the majority of the poems seem rather to be the ... quotes of himself these words of sor plain soldier : " Our commander is a ge ...
Although his work has been restricted to the short story, the essay, and poetry, Jorge Luis Borges of Argentina is recognized all over the world as one of the most original and significant figures in modern literature.
Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations.
But still, our lives go on, and these are poems of survival as much as they are an indictment. Couched in language both wry and ample, Living Weapon is a piercing addition from a “virtuoso poetic voice” (Granta).
This book brings together a down-to-earth account of contemporary quoting with an examination of the comparative and historical background that lies behind it and the characteristic way that quoting links past and present, the far and the ...
An essential collection of prose poems from across the globe, by old masters and new, reveals the form's astonishing range' Kate Kellaway, Observer 'A superb anthology . . . it is hard to know how it could possibly be bettered' Daily ...
Casaubon’s obsession is a cautionary tale, but Adam Roberts nonetheless sees in him an invitation to take Eliot’s use of epigraphy and allusion seriously, and this book is an attempt to do just that.